M posters

Summer Brief

Architecture poster-Inspiration

Here is a architecture poster this is not my poster but i wanted to make one just like this but did not have the kind of software but i wanted to add different attractions from around the world say like 8 or 9 images i wanted to add and have Discover The World on it as-well just as this poster has i had this poster in mind to make just as the poster is shown above.

My 10 point manifesto

1. Design what you like and what you want
2. Research before you start designing
3. Take inspiration from other designers don't copy designers or other piece of work
4. Listen carefully to tasks what have been set
5. Use negative space in my work better
6. Different 
7. Don't be scared to show your designs
8. Creative
9. Learn from your mistake and be more creative
10. Doing things your own way

Anti-Design Festival

London’s most anticipated art and design event will launch in September 2010.

As a response to 25 years of cultural deep freeze in the UK, the Anti Design Festivalwill attempt to unlock creative fires and ideas, exploring spaces hitherto deemed out-of-bounds by a purely commercial criteria.

Directed by Neville Brody, the world-renowned graphic designer, the festival will be curated by a select group of leading practitioners in various fields. These curators include Daniel Charny, Terry Jones, James Payne, Harry Malt, Stuart Semple and Brody himself. To date, contributors include Stefan Sagmeister, Jonathan Barnbrook, Yugo Nakamura, Yomi Ayeni, and Mark Moore, as well as an open-submission route.

Research on designers

Ken Garland

Ken Garland is a British graphic designer, photographer, writer and educator. He has made a significant contribution to the development of graphic design since the mid-twentieth century and formed the prolific design studio Ken Garland & Associates in 1962 (until 2009) in Camden, London, where he continues to live and work.

Bruce Mau

Bruce Mau (born October 25, 1959) is a Canadian designer. From 1985-2010, Mau was the creative director of Bruce Mau Design (BMD) and the founder of the institute without boundaries In 2010 Mau went on to establish The Massive Change Network in Chicago. He started as a graphic designer but later veered his career towards the worlds of architecture, art, museums, film, eco-environmental design, and conceptual philosophy

Dieter Rams

Rams began studies in architecture and interior decoration at Wiesbaden School of Art in 1947. Soon after in 1948, he took a break from studying to gain practical experience and conclude his carpentry apprenticeship. He resumed studies at Wiesbaden School of Art in 1948 and graduated with honours in 1953 after which he began working for Frankfurt based architect Otto Apel. In 1955, he was recruited to Braun as an architect and an interior designer. In addition, in 1961, he became the Chief Design Officer at Braun until 1995.

Research on Vorticism, Futurism and Dadaism

Vorticism was a short-lived modernists movement in British art and poetry of the early 20th century. It was partly inspired by Cubism. The movement was announced in 1914 in the first issue of BLAST, which contained its manifesto and the movement's rejection of landscapes and nudes in favour of a geometric style tending towards abstractions. Ultimately, it was their witnessing of unfolding human disaster in World War I that "drained these artists of their Vorticist zeal". Vorticism was based in London but international in make-up and ambition.

The movement primarily involved visual arts,literature, poetry, art manifesto, art theory, theatre, and graphics design, and concentrated its anti-war politics through a rejection of the prevailing standards in art through anti-art cultural works. In addition to being anti-war, Dada was also anti-bourgeois and had political affinities with the radical left.

Futurism (Italian: Futurism) was an artists and social movements that originated in Italy in the early 20th century. It emphasized and glorified themes associated with contemporary concepts of the future, including speed, technology, youth and violence, and objects such as the car, the aeroplane and the industrial city.